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Two words: Henry Cavill. He reeks of sex in this whole series, so much so that one editor wrote about all the times she felt inadvertently horny while watching the first season.

The show follows Geralt of Rivia, aka Henry Cavill, who is a monster struggling to find his destiny in a world with princesses, sorcerers, and beasts.

Season 1, episode 3: Betrayer Moon. This sex scene between Yennefer, played by Anya Chalotra, and Istredd, played by Royce Pierreson, plays on all your voyeuristic fantasies.

This film written and directed by Leslye Headland is as secretly raunchy as it is refreshing. The best part about this movie is it was directed by a woman and has an all-female crew, aka no male gaze here.

The plot revolves around a threesome a couple has with their neighbor and all the very sexy aftermath that unfolds. There may or may not be a scene where a dick literally becomes erect in the direction of the camera.

And there are plenty of very gratuitous foreplay scenes. And then, you guessed it: Lots of sex happens! Luisa having sex with Julio.

And then, of course, the inevitable threesome that feels genuinely soulful and erotic rather than cheesy and forced. United States. Type keyword s to search.

Today's Top Stories. Luckily, there have been major strides in porn alternatives for women since it first hit the scene in the 90s.

Audio porn! Erotic novels! Female produced videos! And yup, even that app you already have downloaded as a major streaming platform: Netflix. Run, do not walk, to your nearest T.

Oh, and if you want to get the hottest sex positions, the wildest confessions, and the steamiest secrets right to your inbox, sign up for our sex newsletter here.

The Hottest Part: Skip to for a boat sex scene that lasts, no joke, maybe four or five minutes. The Hottest Part: Any of the built-up sexual tension with Eric and Rahim pictured here as prime example or the masturbating sex scenes.

Wild Bunch. One thing I think is important in the film is we see her go through all these hedonistic, crazy adventures and by the end hopefully it feels like she's starting to figure things out and starting to understand what it means to be a young woman, and I related to that.

When I moved to New York, I feel like a lot of things widened within my perspective and as I spend some time here—as everyone does when they're that age or a young person—[you] figure out your own ideals or figure out the way you fit into society a little bit more than you did before.

HB: Did you find it frustrating to play someone so different from you? MS: Maybe when I first read it and as I started to come onto the project, but I really had to let that go.

I really, really did. Even though she might not be the kind of person I would hang out with in life, I had to look at her optimism and convince myself it was charming and tuck into that as opposed to alienating her.

HB: Is there one scene that stands out to you as the weirdest to film or the most difficult? MS: Perhaps the ones where I'm alone doing coke, in my room or in the house, because I didn't have a partner for those.

It was just me playing around on my own brain to get somewhere weird and fucked up. HB: How do you film those cocaine scenes?

What were you using? MS: We used B, the vitamin. You just snort it. They bought me a Neti Pot to keep my sinuses clear [laughs]. HB: Do you think the ending of White Girl left things on a hopeful note?

MS: In some way, yes, but I do think by the end, she's lost a lot of hope. She's lost a lot of the gusto and excitement and enthusiasm for life that we see throughout the film.

But I think that's okay and that is part of growing up and that is good, to learn that the world isn't always your oyster or isn't everybody's oyster.

So I don't know if hopeful is how I would describe it at the end, but more conscious, or something. HB: How was making this film different than any other project you worked on before?

I really love independent films. There's something so determined about the people who work on them. I mean, it was a day shoot, which was tight and tough.

It also was in New York. So it was funny to actually come home at the end of a long day instead of just a hotel.

It was interesting. But also the work that we put into the character and the script before we shot was by far more than anything else I've ever done.

It was the lowest budget of a project I've ever worked on and the longest rehearsal period, and that really was spectacular and I think really important in expediting what we needed to do on the day.

HB: What did you take away from making this film? What did you learn about yourself? MS: It was my first proper "big lead" role and like I said, when I signed on I was scared, but I felt like if I could do this—if I could create this whole character—it would tell me a lot about my career.

I had done a play right before it, and that kind of shook my acting brain in a weird way as well, my first play in New York. I learned to understand the distance a character can be from yourself and how important rehearsal can be to creating a person that feels like a person that isn't you.

And now it's hard to do things like auditions, because you don't want to put weeks of work into just an audition. But I am realizing, even as I've met with directors since then, how exciting a real collaboration can be, like I had with Elizabeth, but also how much work you can put into it and how it actually does something.

They bought me a Neti Pot to keep my sinuses clear. HB: You got a whole new look for the film. Where did those bleached curls come from?

MS: I loved it. I thought it was so fun. Elizabeth and I had a lot of modern-day, young, druggy girls as inspiration and we would compile a bunch of images from movies as well.

The day I dyed my hair, it was so fascinating to see how I was perceived differently on the train or walking around the city, how more eyes would go to me and people would call on me more.

I, Morgan, was very shy from that, but Leah would love that attention and would thrive on that attention. It was really interesting.

Because we had so much time leading up to it, I was able to change my appearance and see how people responded to it. One thing about New York is you can understand how you're perceived really easily if you just get on the train, by the way people look at you.

But there's still an anonymity in it. Elizabeth was frequently trying to encourage me to understand my sexiness and what made me feel hot and powerful.

HB: What do you say to critics of the fil m who find the movie salacious and shocking? MS: I don't say anything.

They're allowed to have their opinions, but I do think it's important to look past those things. I find it really weird that sexuality is still so taboo in films and violence isn't.

It really bewilders me. Gun violence is almost promoted onscreen in these huge blockbusters and then sex is still so shocking. But I also can understand that people find it uncomfortable, which I think is cool.

We've been asked, "Why do you show this if you know it's going to make the audience uncomfortable? It's an honest portrayal of sex, in some way. HB: And in a total , you're playing a nun in your next film.

MS: [Laughs] Yeah, the film is called Novitiate. It's another female director, first time feature, and I play a young nun in the early '60s around when the Pope passed Vatican II.

It takes place in a little town in America, in a little convent. The pope passed this huge thing that shifted Catholicism in a huge way. It kind of eradicated all of the harshest laws of sacrifice and shook up the convents and the practices.

It's really interesting. HB: What else are you working on?

White Girl Movie Sex Scenes Video

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White Girl Movie Sex Scenes Video

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Luisa having sex with Julio. And then, of course, the inevitable threesome that feels genuinely soulful and erotic rather than cheesy and forced.

United States. Type keyword s to search. Today's Top Stories. Luckily, there have been major strides in porn alternatives for women since it first hit the scene in the 90s.

Audio porn! Erotic novels! Female produced videos! And yup, even that app you already have downloaded as a major streaming platform: Netflix.

Run, do not walk, to your nearest T. Oh, and if you want to get the hottest sex positions, the wildest confessions, and the steamiest secrets right to your inbox, sign up for our sex newsletter here.

The Hottest Part: Skip to for a boat sex scene that lasts, no joke, maybe four or five minutes. The Hottest Part: Any of the built-up sexual tension with Eric and Rahim pictured here as prime example or the masturbating sex scenes.

Wild Bunch. Advertisement - Continue Reading Below. This content is created and maintained by a third party, and imported onto this page to help users provide their email addresses.

So I don't know if hopeful is how I would describe it at the end, but more conscious, or something.

HB: How was making this film different than any other project you worked on before? I really love independent films.

There's something so determined about the people who work on them. I mean, it was a day shoot, which was tight and tough.

It also was in New York. So it was funny to actually come home at the end of a long day instead of just a hotel.

It was interesting. But also the work that we put into the character and the script before we shot was by far more than anything else I've ever done.

It was the lowest budget of a project I've ever worked on and the longest rehearsal period, and that really was spectacular and I think really important in expediting what we needed to do on the day.

HB: What did you take away from making this film? What did you learn about yourself? MS: It was my first proper "big lead" role and like I said, when I signed on I was scared, but I felt like if I could do this—if I could create this whole character—it would tell me a lot about my career.

I had done a play right before it, and that kind of shook my acting brain in a weird way as well, my first play in New York. I learned to understand the distance a character can be from yourself and how important rehearsal can be to creating a person that feels like a person that isn't you.

And now it's hard to do things like auditions, because you don't want to put weeks of work into just an audition. But I am realizing, even as I've met with directors since then, how exciting a real collaboration can be, like I had with Elizabeth, but also how much work you can put into it and how it actually does something.

They bought me a Neti Pot to keep my sinuses clear. HB: You got a whole new look for the film. Where did those bleached curls come from?

MS: I loved it. I thought it was so fun. Elizabeth and I had a lot of modern-day, young, druggy girls as inspiration and we would compile a bunch of images from movies as well.

The day I dyed my hair, it was so fascinating to see how I was perceived differently on the train or walking around the city, how more eyes would go to me and people would call on me more.

I, Morgan, was very shy from that, but Leah would love that attention and would thrive on that attention. It was really interesting.

Because we had so much time leading up to it, I was able to change my appearance and see how people responded to it. One thing about New York is you can understand how you're perceived really easily if you just get on the train, by the way people look at you.

But there's still an anonymity in it. Elizabeth was frequently trying to encourage me to understand my sexiness and what made me feel hot and powerful.

HB: What do you say to critics of the fil m who find the movie salacious and shocking? MS: I don't say anything. They're allowed to have their opinions, but I do think it's important to look past those things.

I find it really weird that sexuality is still so taboo in films and violence isn't. It really bewilders me. Gun violence is almost promoted onscreen in these huge blockbusters and then sex is still so shocking.

But I also can understand that people find it uncomfortable, which I think is cool. We've been asked, "Why do you show this if you know it's going to make the audience uncomfortable?

It's an honest portrayal of sex, in some way. HB: And in a total , you're playing a nun in your next film. MS: [Laughs] Yeah, the film is called Novitiate.

It's another female director, first time feature, and I play a young nun in the early '60s around when the Pope passed Vatican II.

It takes place in a little town in America, in a little convent. In s French Indochina, a French teenage girl has an affair with a wealthy, older Chinese merchant.

The Bodyguard. Mick Jackson. A white bodyguard and the African-American singer he is assigned to protect form a romantic relationship.

Made in America. The Wedding Banquet. The Ballad of Little Jo. The Joy Luck Club. Relationship between four young Chinese-American women born in America and their respective mothers born in feudal China.

Winner of the Young Artist Awards in Double Happiness. Corrina, Corrina. The Jungle Book. Mowgli -who is Indian-and Kitty-who is British-are childhood friends who later become lovers.

James Ivory. The Affair film. Mike Gabriel , Eric Goldberg. Pocahontas , a Powhatan Indian woman falls in love with John Smith , a white settler in 17th century Virginia.

Madame Butterfly. The Watermelon Woman. Fools Rush In. One Night Stand. A black Los Angeles commercial director has an affair with a white woman in New York while he is married to a Chinese-American woman and she is engaged to his gay friend's brother respectively.

Jackie Brown. The title character is a black drug-smuggling flight attendant who is wooed by a white bail bondsman.

Charles Burnett. Set after the Civil War, a defiant Native American man and a high spirited Black woman fall in love while attending college.

Catfish in Black Bean Sauce. Mission: Impossible 2. Ethan Hunt , a white boy, has a romance with Nyah, a black woman, as they try to recover a virus.

A teenage girl from the Midwest and an African-American teen from South Side Chicago fall in love though their mutual love of dancing. A young Nigerian man on the verge of being in an arranged marriage, suddenly questions his situation after an encounter with a stunning Latin woman, who is also about to be married.

After a family tragedy, a white racist prison guard reexamines his attitudes while falling in love with the African-American widow of the last prisoner he executed.

Far From Heaven. Bend It Like Beckham. Jess, a young woman whose Sikh parents moved from Uganda to London, defies their traditional expectations to play football and begins a romantic relationship with her white coach.

Kate is a caucasian schoolteacher whose love for Sam, an African-American onion salesman leads to tragedy when the town persecutes them for their love.

A British Indian take on Romeo and Juliet in which Geena, a young Gujarati woman, and Jay, a young Scottish man, fall in love while trying to keep their relationship a secret from their rival families.

Based on an autobiographical novel, a white German woman falls in love and has a child with a Masai man. Romantic comedy about a confused bride, Melissa, who wakes hand-cuffed to a Mexican stranger who claims to be her husband; she has no recollection of the marriage after having consumed a Mexican "moonshine" drink and having forgotten the events that occurred the previous night.

Romantic comedy about an African-American woman falling in love with her Caucasian landscape gardener. Romantic comedy about a relationship between a Chinese raised in America woman and a white American based on a quid pro quo.

Blind Dating. Romantic comedy about a year old blind man played by Chris Pine trying to find the right woman to have sex with for the first time by going on blind dates set up by his brother.

He ends up slowly falling in love with an Indian-American woman who must keep something secret from him as she falls in love with him as well. Thriller about a LAPD sergeant who terrorizes his new next-door neighbors because they are an interracially married couple.

An African-American guy plans to marry a Mexican-American girl, but they must meet each other's families. My Last Day Without You.

German executive meets a young African American female musician who exposes a new side of NYC to him. Period drama set in the 18th century about Dido Belle, the illegitimate daughter of a black former slave and a white British naval officer, who is raised by her wealthy great-uncle, but struggles to find her place in society.

A Madea Christmas. A newly divorced black woman tries to figure out who has been breaking into her house given to her by her ex-husband.

Infinitely Polar Bear. A caucasian father struggling with bipolar disorder tries to win back his African-American wife by attempting to take full responsibility of their two young, spirited daughters, who don't make the overwhelming task any easier.

Born to Be Blue. A partly fictional biopic about Chet Baker , focusing on his romance with and engagement to an African American actress in s Los Angeles.

While Nicky teaches Jess the tricks of the trade, the pair become romantically involved. The dutiful Indian daughter of a deep-in-debt businessman is about to marry a wealthy Londoner when a chance encounter with local Trinidadian singer sets things askew.

A year-old girl in a black gang in Brussels must choose between loyalty and love when she falls for a Moroccan boy from a rival gang.

Sophie and the Rising Sun. A white Southern woman falls in love with a Nisei man on the eve of Pearl Harbor.

A white British woman marries Seretse Khama , a black African chief. The real-life courage and commitment of an interracial couple, Richard and Mildred Loving, who spent nine years fighting their civil rights case, Loving v.

Virginia , up to the Supreme Court which, in , reaffirmed their right to marry. A black man visits his white girlfriend's town and family, but not everything in the town is as it seems.

Everything, Everything. The Greatest Showman. Inspired by the story of P. In the s, the Japanese attack on Pearl Harbor destroyed Americans' morale.

A young white pilot was saved by a young local asian widow. Despite not being able to communicate verbally, they fell for each other and a tear-jerking love story went on between the two.

As part of an experiment, a teenage black girl falls in love with an Asian-American medical student within a day whilst her family faces deportation.

The Lovebirds.

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